Composer: Greg Hintermeister, ©2000
Arranged: Greg Hintermeister
Performed by: Greg Hintermeister
Recorded: 2010 in Hint of Light Studios
Emotions: Detached, longing, pleading
Listen:
Other song insights
Background:
Usually I write songs based on personal stories or strong emotions that inspire the lyric or music.
Not this time. This song, “Be to Me” is entirely fictitious.
I wrote it to accompany a drama we did at crossWinds church back in April 2000 (my stars…how time flies). The week was “Family Values – Everyone Counts”. The drama focused on a young man in a busy family who isn’t getting his dad’s attention. Over time we see the son being ignored and feeling more invisible. He looks detached and ‘over it’, but inside we learn he is really yearning for a closer relationship.
To fully engage the audience, we needed a song that fit perfectly to express more of the emotion the character was feeling. The actor stayed on stage at the end of the drama while the song unfolded.
This was a great chance for me to get into the mind of the character. I love doing that. It’s like writing the music for a mini-musical. I read the script several times to get the feel of the character’s feelings, then extrapolated as to what he would sing about after the scene ended. The chords and arrangement were critical in moving from this detached acceptance at the beginning to eventually having the character open up and yearn to be noticed.
I had a great time with the lyric writing, too. Since the audience knew the context from the drama, I was free to be a little more poetic. Notice the internal rhyming in line 3 of the verses. Thank you Stephen Sondheim.
Enjoy.
Drums: Roland XV-5080
Electric Guitar: Paul Reed Smith Hollowbody II (rhythm and solo)
Guitar Amp: Fender Hot Rod Deluxe
Guitar Mics: close: Shure SM57; 3ft back: CAD E100
Acoustic Guitar: Ovation 1712 Custom Balladeer (CAD E100)
Bass: Fiama Hollowbody (recorded directly into the board)
Recording Specifics:
I had a surprisingly rough time mixing this song down. My goal was to have strong, raw instruments that expressed the character’s raw emotions. After mixing and mastering, I noticed some anomalies in the chorus. After soloing the tracks, I discovered a few problems:
All in all, though, I’m still quite happy with the song.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Lyrics ©2000 Greg Hintermeister
Verse 1:
I never really wanted to be invisible
it just sort of happened over time
Began without a word…a small desire to be heard
To you everything was fine
Verse 2:
I guess you never noticed I’m amazing
at never being noticed by you
It’s just another skill I never wanted to fulfill
Am I ever on your mind?
Chorus:
I don’t want to be alone…talk to me tonight
any little thing will do…just look into my eyes
so you can see – it’s me…and I’m still here
waiting for you
To be real to me…that’s all I ever ask
is to be real to me
Verse 3:
You seem to be distracted by the little things
I wish you were distracted by me
Maybe if I changed…the way I look or said your name
you’d spend some time with me
Chorus:
I don’t want to be alone…talk to me tonight
any little thing will do…just look into my eyes
so you can see – it’s me…and I’m still here
waiting for you
Solo:
I don’t want to be alone…talk to me tonight
any little thing will do…just look into my eyes
Will you look at me – and see…that I’m still here
waiting for you
To be real to me…that’s all I ever wanted
to be real to me
Arranged: Greg Hintermeister
Performed by: Greg Hintermeister
Recorded: 2010 in Hint of Light Studios
Emotions: Detached, longing, pleading
Listen:
Other song insights
Background:
Usually I write songs based on personal stories or strong emotions that inspire the lyric or music.
Not this time. This song, “Be to Me” is entirely fictitious.
I wrote it to accompany a drama we did at crossWinds church back in April 2000 (my stars…how time flies). The week was “Family Values – Everyone Counts”. The drama focused on a young man in a busy family who isn’t getting his dad’s attention. Over time we see the son being ignored and feeling more invisible. He looks detached and ‘over it’, but inside we learn he is really yearning for a closer relationship.
To fully engage the audience, we needed a song that fit perfectly to express more of the emotion the character was feeling. The actor stayed on stage at the end of the drama while the song unfolded.
This was a great chance for me to get into the mind of the character. I love doing that. It’s like writing the music for a mini-musical. I read the script several times to get the feel of the character’s feelings, then extrapolated as to what he would sing about after the scene ended. The chords and arrangement were critical in moving from this detached acceptance at the beginning to eventually having the character open up and yearn to be noticed.
I had a great time with the lyric writing, too. Since the audience knew the context from the drama, I was free to be a little more poetic. Notice the internal rhyming in line 3 of the verses. Thank you Stephen Sondheim.
Enjoy.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Technical Specifics:
Recording Unit: Cakewalk MIDI software, Soundscape DAW Drums: Roland XV-5080
Electric Guitar: Paul Reed Smith Hollowbody II (rhythm and solo)
Guitar Amp: Fender Hot Rod Deluxe
Guitar Mics: close: Shure SM57; 3ft back: CAD E100
Acoustic Guitar: Ovation 1712 Custom Balladeer (CAD E100)
Bass: Fiama Hollowbody (recorded directly into the board)
Recording Specifics:
I had a surprisingly rough time mixing this song down. My goal was to have strong, raw instruments that expressed the character’s raw emotions. After mixing and mastering, I noticed some anomalies in the chorus. After soloing the tracks, I discovered a few problems:
- The drums bled into the guitar track
- The drums in the chorus contained open high-hats that were too loud and harsh
- The bass had some clipping in strong parts
All in all, though, I’m still quite happy with the song.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Lyrics ©2000 Greg Hintermeister
Verse 1:
I never really wanted to be invisible
it just sort of happened over time
Began without a word…a small desire to be heard
To you everything was fine
Verse 2:
I guess you never noticed I’m amazing
at never being noticed by you
It’s just another skill I never wanted to fulfill
Am I ever on your mind?
Chorus:
I don’t want to be alone…talk to me tonight
any little thing will do…just look into my eyes
so you can see – it’s me…and I’m still here
waiting for you
To be real to me…that’s all I ever ask
is to be real to me
Verse 3:
You seem to be distracted by the little things
I wish you were distracted by me
Maybe if I changed…the way I look or said your name
you’d spend some time with me
Chorus:
I don’t want to be alone…talk to me tonight
any little thing will do…just look into my eyes
so you can see – it’s me…and I’m still here
waiting for you
Solo:
I don’t want to be alone…talk to me tonight
any little thing will do…just look into my eyes
Will you look at me – and see…that I’m still here
waiting for you
To be real to me…that’s all I ever wanted
to be real to me